Monday 21 November 2011

Resistance to dam project grows in south Gujarat

People from 16 villages on the Gujarat-Maharashtra border have been demonstrating their resistance to the Par-Tapi-Narmada river interlinking project, another multi-dam project which is slated to submerge 3,572 hectares of forests and displace 25,000 people

It was noon and the sun could no longer hide behind the clouds. One by one, women trickled in to sit on the black tarpaulin laid under a cluster of bamboo trees. Behind them sat the men, in the shade. K P Sasi’s Gaon Chodab Nahi blared from loudspeakers nearby.

Finally, it was time for the meeting to begin. Anusuya Ben, who had travelled 20 km in a tempo, took the mike and began to sing a song she had composed specially for the event: “Paikhed gaamcha dam aamhi baandhoon denaar naahi” (“We won’t let the Paikhed dam be built”). The assembled crowd of around 200 joined her in song.

For the next two hours, Naragdhari village reverberated to the sound of loud, angry, determined speeches. Hot, thirsty and hungry, people from 16 villages on the Gujarat-Maharashtra border sat in the sun to show their collective disapproval of the Par-Tapi-Narmada river interlinking project. A month earlier, they had coloured their thumbs blue and stamped two memorandums to be sent to the Ministry of Tribal Affairs and the Ministry of Water Resources requesting that the mammoth river interlinking project aimed at supplying water to already-irrigated central Gujarat be shelved.

A few quick figures would best explain the significance of this meeting and other such congregations in the past: seven rivers, seven dams, seven reservoirs, a 401 km-long link canal, submergence of 3,572 hectares of forest land, displacement of 25,000 people, and cattle.

The project is part of the peninsular river development component, proposed in the 1970s. It comprises the building of seven reservoirs on the Par, Nar, Tapi, Purna, Ambica, Auranga and Khapri rivers, and a 401 km-long link canal connecting the reservoirs, to irrigate 1.88 lakh hectares in Bharuch and Vadodara districts which are already slated to be irrigated by the Sardar Sarovar dam waters. The feasibility reports prepared by the National Water Development Agency (NWDA) mention that the project will also generate 93 Mkwh of electricity; the end consumers are only vaguely mentioned. The human price to be paid has been calculated using census data from as far back as 1991: the displacement figure has been put at 14,832 people. Today, the number of people likely to be displaced easily stands at 25,000.

***

One day in 2010, men with large maps and measurement paraphernalia arrived in some of the villages and began taking measurements of the river and the soil. The men told the villagers they were from the irrigation department. “Ramesh called me up to tell me about the measurements being taken. I looked up the Internet and was shocked to find out about the river interlinking project. It was then that we realised that the NWDA had been discreetly conducting its surveys without informing the people about the project or its consequences,” says Michael Mazgaonkar, an activist based in Narmada district. Since that phone call, he and several others have been travelling to villages in Dharampur taluka, Valsad district. Everywhere they go they speak to people and sense their anger at not being consulted on the project.

Collective realisation of their possible submergence, and the subsequent anger, resulted in the formation of the Par-Purna Adivasi Sangathan comprising people from Gundiya, Khadki, Tutarkhed, Chikhalpada, Mohanakavchali, Satvakal and other villages and hamlets across Dharampur taluka.

The NWDA’s feasibility report says surveys could not be completed at sites where the Paikhed, Jheri, Kelwan and Mohankavchali dams are to be built “due to local resistance”. Surveys at other dam sites -- Chasmandva, Chikkar and Dabdar dams -- have been carried out by the Survey of India, entrusted either by the Government of India or the NWDA. “Water from the seven proposed reservoirs will take over part of the command area of the ongoing Sardar Sarovar Project, while irrigating small areas en route. This will save Sardar Sarovar Project (SSP) water which will be used to extend irrigation in the Saurashtra and Kutch region,” the report says.

But there are several loopholes in the report: apart from incomplete sub-surface geological and other surveys, there is no mention of the areas to be irrigated, or details of provision of drinking water to Vadodara municipal regions, or data on existing and future industries and their water requirements.

***

The Miyagam and Vadodara branches of the SSP currently supply water to Bharuch and Vadodara districts. These are regions that also support a large number of industrial estates and Special Economic Zones (SEZ). At the ‘Vibrant Gujarat: Global Investors Summit’, held three times during this decade, 69 and 38 MoUs were signed within Bharuch and Vadodara respectively, with a total investment of Rs 1,01,810 crore and Rs 14,414 crore respectively. These districts get their water from the SSP. Clearly, the surplus water to be brought from south Gujarat -- if the river interlinking project does manage to see the light of the day -- will be directed at materialising these bulky investments.

Based on the 2004-2005 price index, the project was cited to cost Rs 6,016 crore. The NWDA report puts the cost-benefit ratio at just 1:1.08 -- the usual ratio for approval is 1:1.5. The cost to people and the environment have not been factored in.

The catchment area is pristine forestland that falls in a seismic III zone. The NWDA mentions that the reservoirs will together submerge 7,559 hectares of land. This includes 3,572 hectares of forestland, and around 24 villages. The NDWA claims 51 villages will be partially submerged, although people in the area say their common understanding of the hilly terrain places the number much higher. Like any large dam project, this project too will be responsible for large-scale displacement of people and livestock.

***

Over the past two years there have been several calls for solidarity, culminating in meetings and a massive rally earlier this year. The Par-Purna Adivasi Sangathan has passed at least five resolutions at the panchayat level.

In September, 1,500 residents of Gundiya, Khadki, Tutarkhed, Chikhalpada, Mohanakavchali, Satvakal and other villages in Dharampur taluka, Valsad district, assembled on the banks of the river Nar. By 11.45 am, the grey riverbed, as seen from the winding road leading down to the river, was dotted with colour. A stage built the previous day out of large rocks was the focus. One by one, the sarpanch of each village represented in the Sangathan spoke about why unity was important in protecting rivers, fields, livelihoods, homes, humans, cattle -- indeed all of their futures. “We are happy to come here together, but don’t take our photograph now. Take my photograph when I’m angry, when I’m crying,” said one woman who had walked for almost three hours to get to the meeting site. I asked her if she had come alone. “My whole village is here, my husband, children and grandchildren too. We all woke up early today to clean and cook so that we could be here on time.”

In another corner, a woman was breastfeeding her child. After a while both were still -- the child had fallen asleep, the young mother listened with rapt attention as the details of two memorandums were read out. They were addressed to V Kishore Chandra Deo (Minister of Tribal Affairs) and Pawan Kumar Bansal (Minister of Water Resources), offering scientific explanations as to why the proposed project would only spell doom for the region. The two-page letters detailed the illegal way in which the NWDA had been conducting surveys in several villages without any consultations with the gram sabha.

Besides issues like flood damage and increased river salinity that could be caused by the proposed project, questions are also being raised about the efficacy of the project at a time when the impact of the SSP is yet to be assessed, and the need for additional water clearly established.

Although around 6,500 people eventually signed the memorandums, Sujata Shah, who has been at the forefront of the struggle, believes the fragmented nature of resistance among various sections of the people will weaken the effort. “We need to set up committees in every village, and committees led by women too. While large meetings like this are essential, you have to take the lead in preventing this project from displacing you,” Shah explained at the meeting.

For now, people are contributing small sums of money to fuel the resistance. Anusuya Ben says: “I do not know what to do. My anger and fear about this project come across through my songs. I’m glad that these songs are becoming famous and people are singing them at every meeting. But finally, the sarkar should hear our pleas.”

(This article has first appeared on Infochange News & Features. View it here)

Wednesday 14 September 2011

The Story of an Ideal Village

(A tightly-abridged version of this story first appeared in Open magazine, September 15-21, 2011. You can read the abridged version here. Below is what was originally written.)

            The entrance to Devli is marked with this board. A significant amount of funds have been raised 
              through fines, which are being used for the development of the village, by its inhabitants.

After a 2-hour rickety bus ride from the cotton town of Sendhwa in Madhya Pradesh, the signboard 'Nasha Mukt Sankalp Sthal' is an intriguing white spot before the serene landscape of the Satpuda mountains. A closer examine mentions a mass vow taken towards complete abstinence from alcohol and other intoxicants, and petty quarrels too. A thin grey ribbon leads to several mud houses interspersed with fields of corn and jowar, and the story of this village began to slowly peal open.

In 2009, 25 Sarpanches of villages from Sendhwa and Niwali blocks headed to Hiware Bazaar, a village close to Anna Hazare's Ralegan Siddi. There they witnessed the Gram Sabha functioning in a Utopian way. Upon returning, Mukesh Duduway from Devli began to discuss his village with the members of Adivasi Mukti Sangathan, a grassroots group which has been working in Badhwani district since the early 90s.

“Our village is home to some brilliant minds – one auditor in the Panchayat, one thana inspector in the police, one engineer and 19 teachers. And yet, we are reeling under bad health, malnutrition, low agricultural productivity, low standards of education and corruption,” Mukesh remembers.

Meanwhile, another worried soul was another resident Kahar Singh Senani, who had a wide perspective on development owing to his job as a senior engineer with the state government. In February 2009, he invited the village folk – mostly by the Bhilala and Barela tribes – to his residence for an informal chat. Surprisingly, the 500 men and women who turned up openly spoke about petty fights being bred through the government's non-delivery of schemes, and alcohol as a nuisance.

A detailed survey for the 380 households revealed that only 15 families were living off their own agricultural produce, while others survived as daily wage labourers. Despite this poverty, people had been extravagant during weddings, and alcohol and beedi for guests. “Some men had 14 pairs of trousers! What is the need? We concluded that any man owning more than 14 pairs of trousers would be considered rich. Only this way can we ever think of bridging the rich-poor gap,” explains Mukesh, over a cup of black tea in his house decorated with idiosyncratic tribal images in white.

A 14-point manifesto was drafted during a Gram Sabha on April 14, 2009. That's when a collective oath was taken to ban the entry of alcohol in Devli, and slap a fine of Rs 1,500 on any resident who would be found to have entered the village after having consumed alcohol outside. Suddenly, an existing alcohol shop with no permits became an eyesore for the reforming village. “Senani is a rich man. He paid the shop owner Rs 52,000 to shut the shop. Now, we have a general store there which is run by women,” says Mukesh, 42, proudly. Once, a letter was sent to the cops to get 14 men of two other villages punished, as they had been luring the youth of Devli to get back to alcohol.

As part of the manifesto, several committees were created. The senior men and women have been entrusted the work of advising on marriages and compatibility; another committee of women inspect cleanliness within the village. Another committee is helping build a corpus stock of grains with an aim towards entirely doing away with the government's public distribution system (PDS). One committee is investigating the details of families which migrate to neighbouring Maharashtra and Gujarat. The village also has a vision of a colony of concrete homes for all by 2015.

During each Gram Sabha, a new President is chosen, with caution that the Sarpanch and Sachiv never being elected as the President. Money boxes pass around one chosen hamlet, on every full moon night. People contribute Rs 20 to Rs 50. Another money box is circulated among the government employees, who pay a higher annual sum. The people in Devli have also collectively decided against burning wood during Holi.

“We suddenly realised that the women from our village had never stepped out. In November 2010, three men accompanied the women during a day-long trip to Indore. Apart from the tourist attractions, we went to Big Bazaar mall where we used the elevator. We went to the airport, and got each woman a platform ticket to explain the railways to them. The women were surprised to see other women driving cars all by themselves. The journey made our women to think a lot about their own lives,” smiles Mukesh.

A photograph taken during the day-long visit to Indore is cherished.

Mukesh sees himself as the people's mobiliser, and has no ambition of becoming a Sarpanch. He leaves that job to Lakha Duduway, who has recently taken on the reins of the Sarpanch from the younger of this two wives, Jinabai. “I offer my tractors and bulldozers for free for development work within the village. This is my 'shramdaan',” Lakha says. Village naysayers are happy that Lakha is leaving behind his crude ways, albeit in the hunger to be known as the Sarpanch of the 'ideal' village.

“Look at our village today. You will realise that there is no poverty in the world; only laziness,” Lakha says, before he zooms off in his bike. 

Friday 2 September 2011

Who Will Wash The Tribal Blood Stains On Tata's Image?

These are the observations and revelations penned by an activist and filmmaker, Surya Shankar Dash, who has been relentlessly documenting the atrocities on the people of Kalinganagar in Orissa.

A little more than a year ago Nira Radia was heard telling Vir Sanghvi about her fight with the 'Maoists' for the Tatas in Kalinga Nagar. Around the same time Madhyantara Vol 4 (a video magazine by the Samadrusti TV collective) was released and featured extensive footage of hundreds of policemen pillaging villages in Kalinga Nagar. A few defenseless villagers threw stones at a sea of marauding para-military forces but at the end their foodstocks were on fire, their utensils were systematically broken and their water sources were contaminated with kerosene.


This is part of a long drawn battle between the Adivasi inhabitants of Kalinga Nagar and Tata Steel, with the entire administrative and police machinery at Tata's disposal. Had it not been for the Radia tapes then one would have found it almost impossible to prove that indeed the Tatas had campaigned with the media to portray the anti-displacement activists of Kalinga Nagar as 'Maoists'. After the 2nd Jan 2006 massacre of 14 people, Tata Steel engaged in a media war against the tribals of Kalinga Nagar. The strategy was very clear, to paint the movement as a Maoist movement and facilitate excessive police action.

Despite everything Tata Steel was unable to wash off blood stains from its image. Despite attempts to completely censor news from Kalinga Nagar during last year's raids on the villages, illegal evictions and atrocities by a mixed force of goons and para-military, a lot of revealing information came out in the form of videos shot by the villagers that were put up on Youtube immediately. And around the same time even the Radia tapes started surfacing.

A year later, Tata has got much smarter. They are no longer banking on the Nira Radias to do the job. Rather they have hired some of the most credible documentary filmmakers to do the best whitewash job in recent advertising history - a series of TV Commercials highlighting some CSR ventures by Tata Steel - namely Bachendri Pal's mountaineering antics; the story of another woman who has supposedly been empowered by wearing pant-shirt and being employed as an earth-moving vehicle driver, etc. Perfectly timed to bolster the company's announcements, of completing the Kalinga Nagar plant by next year.

In short, the TVCs announce that the Tatas have won Kalinga Nagar. Not only the battle on the ground but the information war as well. 

To get top-notch documentary filmmakers, known especially for their rights based approach, to do their whitewash job is a clean triumph in the media turf. They have won after getting about 20 Adivasis killed by bullets. Including the 12-year-old Janga on the night of December 31, 2010. Hundreds displaced. Villages divided. Scores arrested. Tortured. Many more denied of medical services. Pregnant women unable to go to hospitals fearing they and their accompanying relatives will be arrested. Half a dozen villagers died when Kalinga Nagar remained out of bounds for the rest of the world except for Tata goons and an all pervasive para military force.

What compelled the filmmakers to do the job is hard to put a finger on. Most of them were aware of Tata Steel's doings in Kalinga Nagar. I have reason to believe even some of them had seen the videos on Youtube. In the past, a national Award winning filmmaker had done a similar job for Posco and then more recently another emerging 'development' filmmaker's company was found to be doing videos for Vedanta.

It is sad to see the kinds of Nira Radia being replaced by brighter and more sensitive people which will only lead to more compelling propaganda from the house of Tata Steel. The people of Kalinga Nagar will have to re-invent their communication skills now as a more evolved breed of communicators and media practitioners have arrived to silence their voices.

Below is one of the Tata Steel TVCs. This link gives further details about this campaign.

Wednesday 27 July 2011

This Is About Me

 
I love animals. I hate to see them dying on TV or on the roads. But I love mutton too.

I do not like what the US of A has done to the world. But I'd love to visit California and Alaska.

I do not like that McDonald's is so unhealthy and that people live on it. But I do sometimes yearn for KFC's chicken.

I respect Gandhi. I do get goosebumps when i think of his work. But I do not like what he did to Kasturba.

I'm scared of lizards. I'm scared of the thunder. But I love the adrenaline high when riding on a roller coaster.

I like khadi. I like the ideology behind hand-woven cloth. But I also like muga silk from Assam obtained from killing millions of silkworms.

I know chemical colours are bad, and hence white is most eco-friendly. But I love fuschia. And lemon green.

I like flat sandals because they are cheap, I can walk miles in them. But I love stilettos.

I respect the Maoists but I do not like them being violent with poor tribals.

I think simple marriages are best. But I'd like to have a good mehendi evening full of dance on the day before my wedding.

I think in English, and can impress boys with nice English words. But I know that without Assamese language, I am rootless.

I respect all politicians and senior police men. But I do not respect their lies, hypocrisy, violence, manipulations.

I hate Mumbai for its traffic and apathy. Yet, I cannot see Mumbai not knowing about the beautiful India that I travel through.

I support the India Against Corruption campaign, but I know that its middle-class supporters are equally corrupt too.

I love Delhi for its wide roads, gardens, open spaces, old Dilli charm. But I hate the expensive transport system.

I do not like the Congress. But I still hope and want Rahul Gandhi to be the Prime Minister, to bring in some youthful ideas to our country.

I stand up for women's rights. But I will wear my bra too and shop for it with utmost care.
 

 
I cannot live by excluding some ideas, in order to include some other ideas, into my life. 

My honey is your poison. My poison is your honey. 

And someday, I might campaign for your poison because it is healthier than my honey.

Am I a hypocrite? I think I'm just being honest.

Am I a bad person because my interests and disinterests are conflicting? I'm just being honest.

All I know is this: I cannot live in isolation. I cannot live in rejection.
 
Embrace. Embrace. Embrace.
 

 
This is about me. Or you too?

Thursday 30 June 2011

Condom Madam



How one sex worker reformed a brothel in Sangli by counting condoms collected in a bucket

Brothels are dirty places. In Kamathipura, India’s most famous red light area, you will find torn condoms and gutka packets strewn around, paint peeling off damp walls, and posters of C-grade films ripped strategically at the breast or crotch of the actress. There are few condom-vending machines. Then you notice the women—cigarettes dangling from their betel-red lips or between thin fingers with long nails, midriffs exposed, chests protruding from tiny blouses, and a blazing arrogance writ large on their faces. In the brothels of Kolhapur, pigs and women dot the periphery of the road; the pigs scout through the drains, the women scout for customers.

Sangli is clean. It begins with the railway station, which has been awarded the second cleanest station’s title in Maharashtra. A five-minute auto-rickshaw ride takes you to Dusshera Chowk. Through clean roads canopied by huge trees, you arrive at a small junction. A clean swept road from there leads to Sangli’s red light area. Pink doors on pink walls flank the street. There are no open drains with floating condoms in them. A decorative rangoli adorns the doorstep of every house. A few young girls stand next to a door, waiting for customers. Most others are busy with the chores that keep any housewife busy every morning—washing utensils and clothes, running after children, cooking meals, and taking dried clothes off the clothesline. Another lot are languidly grooming themselves—some women are combing their hair, some are painting their nails, and some are pouting their lips with a tiny mirror in one hand and lipstick in the other.

Until about 20 years ago, most people in this place walked with hands covering their nose and mouth. Today, there is a general aura of calm.

+++
A deep female baritone rings out from behind one of the lattice windows. There are a few sandals outside the door. You take yours off,  notice the walls covered with portraits of young girls, and then your eyes move left towards the source of the voice. Her stout body sitting on the bed takes most of the space, with a hand rubbing her knee. A frail boy sits next to her, oscillating between reading a book with pictures and watching a dance show on TV. The lady signals a plastic chair to be brought, and, after the pleasantries, a girl wearing a neatly pinned sari brings in tea. “She is my daughter. I have so many daughters here. Rafiq is my only son,” says Bandawa Madam alias Amirbi Sikander Sheikh, rubbing the boy’s head. The girl standing with the tea tray beams. Another girl comes to greet me with a namaste, while two others peep in from the door.

Suddenly, Rafiq gets up and runs out with his book, calling out another boy’s name. And then Madam says quickly, “His mother died of AIDS. She hardly used the condom, despite my telling her repeatedly. Then he was born, and he had AIDS too. I send him to school but haven’t told the teachers yet. But I do not want any more AIDS in Dusshera Chowk.” The end of the sentence is almost a growl. “Today, my girls will refuse any customer who will not wear a condom.”

Two decades ago, when Madam was just 18, she eloped with a boy, but he was too scared to marry her. She couldn’t go back to her parents and so she decided to stay on in Dusshera Chowk, doing sundry jobs. Eventually, she became a sex worker. Seven years into the business, she saw contemporaries suddenly falling ill, developing blisters in their mouth and on their tongue, and then becoming just a memory sooner than expected. “The fat girls suddenly became sticks. Then someone said it was AIDS. We had never heard of it before. We never thought that our work could kill us,” she says.

She began to work with Sangram, an organisation in Sangli promoting awareness about HIV and AIDS. That’s where she first encountered the condom. “I thought ‘What kind of weird sticky rubber is this?’ But then, since we were getting it free, I decided to try it,” she says, “I eventually understood that it was for my protection as a sex worker.”

She took it upon herself to teach other girls how to use condoms. And also the customers who strode in. “Sex workers saw condoms as a hurdle not just to the sexual act, but to their business,” she says, “The girls would argue that asking the man to wear a condom was as good as showing him the door and not earning anything. They thought that the pleasure of sex would be lost if a condom was worn.”

Since most of the girls were from next-door Karnataka, they spoke only Kannada. Talking about condoms in Marathi or broken-Kannada was not really helping her get the message across to other sex workers. So she had an innovative idea.

“I bought two huge plastic buckets and put them in an intersection of the lanes. I told the girls to throw used condoms into the buckets. Around midnight, I would ask the girls about the number of customers they’d had. Then, I would thrust my hand into the bins, pull out the used condoms, and count them. If it did not tally with the number the girls had told me, it meant someone did not get her customer to use a condom. I just had to call out once, and the errant girl would apologise. If they address me as ‘Maa’, then I have every right to scold them.” She is the boss of about 200 girls now, most of whom are from Karnataka’s Devdasi tradition, with tiny white beads on a red cord around their necks identifying their lineage.

Madam’s efforts took three years to come good. Today, none of the women will ‘bithao’ (seat—for sex) a customer who refuses to wear a condom. But are the men willing to oblige? “Not if they are very drunk,” says Madam. So she does what a good mother will do for her daughters—she screens the customers. By 6 pm, Madam settles herself under a big tree at the entrance of her territory. Every prospective customer has to pass her screening—essentially, an assessment of his level of inebriation. “No man comes to a brothel unless he has had some alcohol,” she says, “I look at a man and I can tell how drunk he is. If he is too drunk, then obviously he won’t be able to wear the condom. Then I send him back, even if that means shouting and pushing him away. For the rest, I ask if they are carrying condoms, though my girls are well stocked in any case.”

Many a times, girls have had to show the door to rich customers who try offering more money for condomless sex. “My man asks me, ‘Why do I have to wear the condom even after being with you for so many years? Don’t you trust me?’ I say that this is the way it needs to be, because I do not want him to bring in diseases from his wife,” she says.



At some point, Bandawa split from Sangram. “I am my own boss; I didn’t like being instructed on how to do work anymore,” she says. In 2004, she started the Vaishya Mahila AIDS Nirmulan Kendra, and had it registered two years ago. She doesn’t reveal how large her family is, or how many condoms are found in the bins every night. “There was once a raid in 2007 because cops thought we had minor girls here,” she says, “Several of my girls were in jail and their children were hungry. I had to sit on a fast until the girls were released. Society will not remove poverty, but when we want to earn a living, they say we are bad.”

Over at Sangram, Bandawa is no longer a popular figure. Meena Seshu, director of Sangram, calls her a publicity hound. “She wants to hog the limelight, and is way too friendly with the cops,” says Seshu, “She wants to be a domineering force among her girls, and keeps saying that Dusshera Chowk is the only clean brothel in Sangli. But she forgets that it was Sangram, 20 years ago, which undertook the work of communicating with the girls of Gokul Nagar—the other brothel in Sangli—to ensure cleanliness and hygiene. We get 350,000 free condoms a month from the government, but Bandawa also gets her girls to sell condoms to customers. That is strictly against the principles of Sangram.”

What no one disputes, however, is that Bandawa is committed to her girls. She is also, in her own little way, trying to give her sex workers a measure of literacy. The effort began with the girls asking her to teach them how to identify the buses they would take to their hometowns in Karnataka. For about three years now, 10 sex workers have been teaching about 50 of their illiterate sisters to read and write. From 4 pm to 6 pm daily, they use a backboard outside a tea stall to impart maths and alphabet lessons. “The girls can now read bus destinations and do a little maths,” says Madam, “But I want them to learn how to speak English.”

After school, it is time for business. Time to dress up, apply make-up, solicit customers, strike deals, provide sex, collect money, solicit men, strike deals, provide sex… the day’s business ends with used condoms going into the buckets. A man has now been hired to collect the used condoms from the buckets, for which the girls pay him Rs 10 each every month.

Apart from this monthly fee, the girls shell out Rs 20-25 every Diwali season to give their tiny home-cum-workplace a facelift. “I get all the houses painted pink at Diwali. Why shouldn’t we?” says Madam, “The whole world looks down upon sex workers, although sex is such a basic thing. People see such violence against women, they see them raped, but society doesn’t want to help girls who come here out of poverty.”

+++
Inside the rooms, the curtains are colourful and frilly, the bedsheets clean, and the walls plastered with posters of Bollywood actors and actresses. Ornate photo frames hold photographs of the girls’ families or of them in pleasant poses. Sharing space with shining steel utensils are bottles of nail polish, lipstick, bangles, packs of bindis, combs and mirrors. The cement floor is shiny and smooth. Every morning, the entrance to their house is swept, and water is thrown to settle the dust before white rangoli floor patterns are made outside the door. Some are simple designs with dots, others are elaborate. The white particles merge with the dried dust by late noon, when the girls begin to head out for school.

Quite a few women in Dusshera Chowk can read and write today. They send their children to schools in the vicinity. Geeta Osmani’s seven-year-old daughter studies in a Kannada-medium school. Geeta was a Devdasi who came to Dusshera Chowk when she was 18 and illiterate. “After having worked for 11 years here, I have made enough money to educate my daughter,” says Geeta, who likes to watch her doing homework, “She needs to study her mother tongue, and so I have enrolled her in a Kannada-medium school. Next year, I will send her back to my village to complete her studies. We women are happy here, but I want her to be as far away from my place of work as possible.”

Madam sees literacy as an obvious tool of empowerment. Yet, it is the condom that holds the key. “No wife dares tell her husband to wear a condom, but my girls can tell another woman’s husband to do so. No mother tells her son to wear a condom, but we teach boys how to become men. Who is more empowered—the housewife or us?”

It’s time for me to leave. I thank Madam, and she asks me to come again. And then, for the first time, her voice turns mellow: “I want to start a playschool for the smaller children. Can you get some help for the children?”

Friday 3 June 2011

Broadcasting Dantewada

(This was first published in the June 2011 edition of Himal Southasian magazine.)


Earlier, what went on in the jungle remained in the jungle. But no longer.

alt

On 27 March, Anil Bamne gave a missed call to a Bangalore number from his mobile phone. Within ten seconds, he received a call back and, moments later, he had recorded a news report detailing how children less than five years old had been going hungry for the past five months in Bahaud, a village in Chhattisgarh. Bamne’s report described how the children were sitting throughout the day in their aanganwadi – a government-sponsored childcare centre – playing with mud, while the food packets meant for them had never arrived, beyond a few bags of puffed rice. Two weeks after Bamne’s report, food materials reached the aanganwadi. A government programme officer later told a journalist that, although he had been in his position for three years, he visited Bahaud for the first time, thanks to the news story.

This and similar reports have been made possible due to a mobile-phone-based ‘citizen journalism’ system called CGNet Swara. Here, CG stands for Central Gondwana, referring to the area that takes in parts of Chhattisgarh, Maharashtra and Madhya Pradesh; swara means voice. Despite this geographical designation, since February 2010, CGNet Swara – a free service – has offered a journalistic platform to any caller anywhere in India.

This is how the system works. If a caller has a story to report, or simply wants to hear the news, he or she gives a missed call to a Bangalore-based server number – 08041137280 – and waits to receive a call back. The caller can then choose to listen to reports recorded by others, or record their own piece of news, or even a song or bit of poetry. After a few hours, the recorded news is aired for the world to listen, either over the phone or via the organisation’s website, www.cgnetswara.org. The gap of a few hours allows CGNet Swara’s editor to check the credibility of the reports, a critical element when callers are leaving significant information about, for instance, violence or corruption. In the year-plus that it has been operating, CGNet Swara has become a potent source of news for journalists and a major tool for activists. It woke up the Chhattisgarh government to realise that there is indeed a malaria crisis in the state, for instance, when 47 malaria deaths were reported from just one of the state’s 18 districts.


The project is the brainchild of Shubhranshu Choudhary, a former BBC journalist who developed the service while he was on a Knight Journalism Fellowship that began in 2010. A native of Chhattisgarh, Choudhary says that he had watched the shift in Adivasi support from a negligent government to the Maoists. ‘Our system wants the tribals to give up their oral culture and be textbook educated,’ he said. ‘The tribal population in central India numbers nine crore, and we do not have a single AIR [All India Radio] bulletin in a tribal language. There is a major communication gap here.’ Choudhary continues: ‘In the end, the tribals have no one to talk to. Who will then listen to them? The Maoists, of course.’ Choudhary says that he sees journalism as one of the least democratic sectors in India.

News For Some
The burgeoning Adivasi allegiance to the Maoists surged when the government signed several new agreements with mining companies that would permanently disenfranchise communities of their land – some 300,000 people in nearly 650 villages, according to estimates. As Maoist activity rose, riding on the back of this growing public frustration, Choudhary says that he observed a simultaneous rise in important news stories going either unheard or, at best, wrongly reported and misinterpreted.

‘The Central Gondwana region is categorised as among the most backward regions of the country,’ he says. ‘The media reports emerging would mostly reflect only the official version. And we have missed the community radio bus. Today, news all over the Internet is legal, but news on the radio is illegal. I know of many men who can make a radio for just 100 rupees, but that has been made illegal. The government wants us to buy transmitters from only licensed vendors – who, of course, sell it at a high price. How then can news be for everyone?’ While Choudhary says that newspapers were a ‘revolutionary medium’ many years ago, ‘Today we need to go beyond the newspaper and make use of the mobile phone, short wave radio, the Internet and oral traditions. In that respect, Swara is a mere experiment in democratising the process of broadcasting news.’

In early 2010, he began training 33 people on how to use CGNet Swara. At that time, the participants were mostly working in Chhattisgarh on various community issues. ‘During the second day of the workshop,’ Choudhary recalls, ‘I realised that asking them to write the news and then speaking it aloud lacked in spontaneity. The tribal communities have an oral culture, which is their essence.’ So, he let the participants ‘speak on their own, asking them to narrate like they would have done it before their family and friends. The idea was to lower the entry barrier into journalism.’ The first batch would talk about Swara wherever they went, and that is how the news trickled in.

Today, the Swara website is overflowing with reports of various stripe, in the primary area of Central Gondwana and beyond. The stories cover, for instance, non-payment of NREGA wages, illegal stone quarrying in Rajasthan, women digging their own bore well in Andhra Pradesh, the push against unfurling of the Indian flag in Assam for Republic Day, Santhali men and women dancing in sub-zero temperature, public anger against new coalmines, anti-liquor campaigns, children’s hopes for their schools, and more.

Given his journalistic background, Choudhary says, he understands the importance of credibility. As such, he has focused on building a wide network of sources who can vet and verify the news posted on Swara. In mid-March, for instance, he began receiving reports of arson, murder and rape taking place by Salwa Judum in Tadmetla, Timmapur and Morpalli; some 300 homes were gutted by fire, while three women had been raped and at least two men murdered. Choudhary says he sat on each of these stories for a week so they could be verified. But almost immediately after these reports were posted, journalists from prominent newspapers began to highlight the ongoing stories. Eventually, the incident led to the superintendent of Police of Dantewada, S R P Kalluri, and the collector, R Prasanna, to be transferred for neglecting to check the abuses; the state government has also ordered an enquiry into the matter.

New Voices
Prior to Swara, Choudhary had tried to connect Chhattisgarh through the Internet, by moderating a Yahoo! Group where people would send news about Chhattisgarh and discuss the issues. However, that still did not cater to Adivasi communities. After all, India does not have a single Adivasi journalist from central India. When Swara was born, the network of these people who had been connecting over the previous eight years began to help Choudhary to verify facts and vet the stories. ‘If there was a news item about a certain incident in a village in Bijapur,’ Choudhary says, ‘I would call up the most reliable person there to check for such an incident.’

Clearly, Swara’s verification process leans on the robust wall of goodwill and the keen outlook of all concerned citizens, however, not necessarily Adivasis – a fact with which Choudhary is clearly uncomfortable. Eventually, the idea is for Swara to become system with many more ‘citizen journalists’, and with Adivasi youths themselves acting as moderators. For now, for instance, Choudhary has to rely on just one person, Himanshu Kumar, for translations into Gondi. (Kumar is an activist who had lived and worked in Dantewada for 17 years before he was thrown out of the state for raising questions about the Salwa Judum.) Choudhary says he now intends to conduct workshops with Adivasis from different parts of the country, who would be given basic training on reporting with an eye to becoming moderators for multiple language channels on Swara.

Still, for now Swara’s numbers are impressive, if nascent. Since its inception, more than 31,000 calls are reported to have been received (both to report and to listen), about 17,000 of which have come in since the beginning of this year. About 800 news reports have been published during that time. Choudhary says that he has received some opposition to Swara’s work, as well, though he brushes this off by saying that the project is fuelled by the possibility of shaking up callous government institutions. ‘Waking up the authorities and getting them to do their job right,’ he says ‘that’s what gives the people the hope that their basic needs can be fulfilled.’

~Priyanka Borpujari is an independent journalist based in Mumbai.

Saturday 7 May 2011

The Call of the Camera



When Rajesh Jala made one documentary on the son of a militant and another on children who stole shrouds for a living, he didn’t expect the films to transform their lives, least of all his own

In May 2004, Rajesh Jala was walking along Srinagar’s Dal Lake with a camera when he saw a little kid scooping water out of a boat. Jala began to photograph him. The kid, seeing his journo jacket and long hair, mistook him for a foreigner and started speaking in broken English—only to be surprised when Jala replied in Kashmiri.

The kid asked whether Jala wanted a ride. Surprised that someone so young could handle the boat, he was thinking it over when another boy came running and warned him against it. The kid had drowned a customer a few days ago, he said. Jala turned a little cautious, but some instinct made him accept the offer. Thus did they embark on what turned out to be a long boat ride. Arif, the kid, was a very good boatman, it turned out.

Jala, a Kashimiri Pandit, had grown up without a mother, and, uprooted from Kashmir in the mid-1990s, he had lived with several Kashmiri families in a cramped hall in a Delhi refugee camp, constantly yearning for his father. Something about Arif struck a chord. The kid was his family’s sole breadwinner, and when Jala met Arif’s mother Farida, he was instantly drawn to their story. “Farida had been kidnapped as a 12-year-old by a militant, and then gave birth to his first child two years later,” says Jala, “Today, in her thirties, she is the mother of five children.”

Jala just knew he had to make a documentary on the family. “It was very difficult for me to come to terms with her story, but I was selfishly involved in my film. I could understand her misery, but did not allow myself to contemplate her misery.” His effort, Floating Lamp of  the Shadow Valley, came out in 2006.

Later the same year, Jala wanted to make a film on Varanasi but did not know how to go about it. He was there for a month, and began visiting cremation grounds. On the second or third day, he saw a little boy snatching a shroud off a corpse and going to his gang of friends. Intrigued, Jala followed the group. There were seven of them—Ravi, Gagan, Sunil, Yogi, Kapil, Manish and Ashish. He struck up a conversation, and became friends with them. He realised that the children regularly stole shrouds and sold them. They fed their families this way. The story of another documentary was staring at him.

Manikarnika Ghat is Varanasi’s busiest cremation ground, with over 100 bodies cremated daily. It is especially hot here in the summer, when temperatures rise to nearly 50ยบ Celsius. “I kept wondering if I would be able to shoot there,” he says, “Then I thought, if these little kids are earning their livelihood here and surviving this place, then why can’t I just shoot this film?” Jala’s Children of the Pyre came out in 2008.

There is nothing to connect the seven boys of Varanasi with Arif of Kashmir, except that the real life sequel to their lives has been similar—the films changed the future of all of them. After the screenings and many awards that the films fetched, none of the eight children are doing what they were when Jala met them.

Jala says he got involved with their future once he began questioning his own motives. During a conversation, Yogi, one of the shroud thieves, had told him that he wanted to escape the cremation ground but his parents forced him to earn money this way. “That echoed in my mind. I realised that these kids needed help,” he says. Also, he felt guilty of having taken advantage of them. “I had this big dream of being a filmmaker since I was 12. When I first met these children, I had a purely selfish reason to make the film. I wanted to make a film that would have an interesting story to engage audiences with, that would also fetch me some money, awards and critical acclaim… But in both cases, especially when I was making Children of the Pyre over 18 months, I developed a deep bond with them. I initially thought that when I sell this film, I would give a certain portion of the profits to these kids. But I wasn’t sure whether anyone would buy a film of this kind.”

Jala’s friendship with the kids grew stronger once he realised how completely they had put their faith in him. They began to give him missed calls when he would get back to Delhi. On calling them back, they would ask him when he would return to meet them, and request him to bring along some clothes or sweets. Though he was giving them some money for their participation in the film, he wondered whether he was exploiting them. “Justifying my actions wasn’t easy. It was okay to give them the little money I was, but eventually, I knew that I was the one gaining the most from the film. So I had to answer that question of my conscience.”

Arif today goes to a private school and has a tutor to guide him. “I assured his mother that I would help them on the condition that he would stop rowing the boat,” says Jala. The boy was miserable at being told he couldn’t row anymore, but Jala says it was important to ensure his future. “Besides, the boat was also in very bad condition, so they couldn’t pull it anymore.” Some friends of Jala who saw the movie donated money to the family. One lady from the US gave $550 in 2007, which ensured that their entire expenses were taken care of for the year. “A publisher friend of mine is now taking care of Arif’s school and tutor fees for a year. But it is complex, giving the family money—the father would snatch it away. Immediately after I had made the film, I opened a bank account in Farida’s name. I direct people to that account when they want to offer help. Last summer, they received two big cheques after a screening in Chennai.”

Children of the Pyre also did well for its subjects. Thanks to its release, in 2009, Plan International, an organisation working to relieve children of poverty, launched the Bhagirathi Project to transform the lives of 300 children working in different ghats of Varanasi, including these seven kids. They don’t give money, but empower them with skills.

Jala was grateful, but didn’t feel it was enough for the seven children. “My immediate concern was to stop these kids from going to the cremation ground. Bhagirathi Project did not yield that result because the kids were still going to there for their livelihood. So I had to find some money that would help them run their families some other way.”

Jala himself is not rich. To make Children of the Pyre, for example, he had to use the money he’d saved to buy a flat. The Best Documentary Award at the Montreal World Film Festival in 2008 came as vindication. After that, whenever the film would be screened anywhere in the world, he would get an overwhelming response, and people would come asking for ways to help these kids. After a screening in New York, a man called Kevin contacted him and offered to educate the Varanasi children. Three of them had crossed that age when they’d want to study, but there was hope for the other four. Kevin found a boarding school in Sarnath run by an Italian man, and the four children have been admitted. As for the elder three, Jala is trying to help out in other ways. “We sent them for English-speaking courses, but they didn’t do well there either. They are not disciplined kids. Their lives can get on track only if I have a more active role in Varanasi. One plan is now to give them driver’s training, and then we could perhaps arrange the capital investment to get them auto rickshaws through a loan, which they could then repay on their own. It’s not final, but I don’t see any other way out. Except for Gagan—I am very keen to see him as a dancer, but it’s all about his own commitment.”

In Children of the Pyre, one of the younger kids, Sunil, says, “I don’t love my father.” That is also what Arif says in Floating Lamp of the Shadow Valley. Jala says such moments make him look back at his own dark times. “Working with these children brought back memories of growing up in Kashmir without a mother and an absentee father. In some ways, we were all in the same boat, in different circumstances and at different times. Perhaps this made it easy for me to relate to the kids.”

Whenever Children of the Pyre is screened, Jala says he is typically asked if the experience has changed him. “Considering all the struggles that I have gone through in my childhood and youth, the experience of working with these children has made me very conscious of complaining. I do complain, but now my thoughts immediately go to these kids and their struggles. I am not saying that both these films have changed my life, but… Earlier, I would look back at my childhood and pity myself for having been through hell. Now when I try to do that, which is rare, I realise my agony as a child pales in comparison with theirs. In a way, therefore, these two films are the beginning of what I am.”