Saturday 28 April 2012

Slogans As Songs, Songs As Slogans

(This article first appeared in The Times of India Crest edition, dated April 28, 2012)


Pakistani protest band Laal uses music and satire to take Marx to the masses.


When the Pakistani band Laal walked into Hard Rock Cafe Mumbai hours before their performance there, they were clear about what they wanted - a clean stage without many props. "It would be amazing if we could project the video of Dehshatgardi murdabad (Down with the perpetrators of mayhem) while we play live. That video says it all, " says Taimur Rahman, the man behind the music, videos and politics that makes Laal a progressive and rebellious band. After years of free performances for workers and peasants, singing the poetry of Faiz Ahmed Faiz, receiving hate mail but also thousands of internet hits - especially for Jhoot Ka Uncha Sar, which had an all-woman crew wearing moustaches to mock the system - the band recently toured India to launch their second album Utho Meri Duniya (My World, Wake Up).

"In a way, we follow Gramsci's position on warfare: using the little space available for dissent and pushing the boundaries to expand that space, " says Taimur. "Laal has been successful because we have managed to get our voice into the mainstream media. Even if we do not agree with the mainstream entirely, we can find a common ground. Strategy is the key. "

Taimur is accompanied by wife, Mahvash Waqar, who was a journalist with a news channel until November 2011 when the channel was pulled off the air. "I am jobless now but a fulltime singer for Laal, " Waqar smiles. Then, there is banker Haider Rahman, Taimur's cousin, who takes the place of third vocalist with his flute. Taimur, Mahvash and Haider have kept Laal alive, with sessions musicians joining them whenever there are funds available to pay them.
Taimur grew up in an environment where Marxism was part of the air he breathed - his father is a well-known Left-wing intellectual while his mother is a founding member of the Women's Action Forum. "I grew up listening to Bob Marley and songs of protest, so my path was an obvious one, " says the 36-year-old assistant professor of political science at Lahore University of Management Sciences (LUMS), who is also the General Secretary of Communist Mazdoor Kissan Party (Pakistan) and is associated with various trade unions and peasant organisations.

The band is excited by the impact of the Dehshatgardi murdabad video, a montage with a rock-and-roll feel to it, with the lyrics exposing the role of the US in supporting the early Taliban. Taimur wrote the song and directed the video. They got plenty of hate mail and comrades from the party advised Taimur to absent himself from public meetings for a while. "The state is more predictable;we know the triggers for state action. But the vigilante phenomenon from the last few years in Pakistan is much more dangerous, " says Taimur with a serious voice. A moment later, he loosens his shoulders and smiles, "But I cannot be talking of my little fears compared to what is happening in Karachi or north-west Pakistan. "

"We would shout and sing out slogans, and that was in a way our training. Our songs were slogans, and our slogans were songs, " he says. The video of Maine Unse Yeh Kahaa (I said to him. . . ) was shot outside his room and uploaded on Youtube. It was an overnight success and Laal was formally born in 2008. Geo TV released their first album, which was a huge hit.

"It seemed like the media was hunting for artistes and musicians who were ready to speak aloud, especially after the veil of Emergency and censorship by General Musharraf had disappeared, " says Taimur. "The media was ready to go beyond its role of reporting. Today, we do enjoy freedom of speech. The newspapers are doing their job. The surge of news channels has meant more space. We have taken up that one per cent space for free speech;taking up the 99 per cent space won't be long. "
When he is not practising with the band or lecturing at LUMS, Taimur conducts seminars on labour rights for workers and trade unions. Then, there are the free performances across the country, throughout the month. "Somehow we manage to do at least one concert a month to bring home some money, " says Waqar. They are only too aware of the big money that they could have made if they had a corporate sponsor. "But our mission is not to make money. We are very happy to do the free performances among peasants, " says Taimur. Recently, Laal toured through Europe and none of the performances, except for one, earned them anything. Whatever profit they possibly make is reinvested into making videos. The video Doob gaya was used to raise funds after the devastating floods of 2010.

Despite being an internet sensation, Taimur knows that the band's real stomping ground is at the grassroots level, where issues like growing religious extremism need to be tackled. "We should remember that without grassroots action, there is no other alternative. We made the video of Utho Meri Duniya during a rally of 10, 000 people. We sang with them using loudspeakers from the village mosque. Our work in the last 15 years has been with the grassroots;it is only now that we are doing albums. The one who doesn't go work with the grassroots will have his work only floating in the air, " concludes Taimur, with a 'Laal Salaam' instead of 'Khuda Hafiz'.

Saturday 28 January 2012

A Film With A Difference

 
(This article first appeared in The Hindu, dated January 28, 2012)
 
It took 14 years to make the 200-minute-long documentary “Jai Bhim Comrade” on Dalits. 
Director Anand Patwardhan explains why.
 
 
A still from the documentary. Photo: Special Arrangement
A still from the documentary.
 
 
On January 9, in the bylanes of Byculla's BIT Chawl, a documentary was premiered after sundown. A huge white screen ensured that people from the three-storeyed buildings nearby could also view the film. For over three hours Anand Patwardhan's “Jai Bhim Comrade” took us on a musical-historical journey. Beginning with the rousing voice of Vilas Ghogre, we move quickly to the police killings in Ramabai Nagar in 1997. Suddenly, the camera takes us inside Ghogre's home, where he scribbled his last words before committing suicide on the fifth day after the police firing. 

Why did the film take 14 years to make? “I wanted to continue filming till all the false cases against the people in the colony were removed, or until the police officers who had ordered the firing were sent to jail,” explains Patwardhan. The Ramabai Nagar case took its own natural course. Another thread was exploring the tension between caste and class. Patwardhan says, “Vilas was a Dalit who became a Marxist, but then chose to reassert his Dalit identity, by tying a blue scarf as he hung himself. I wanted to understand this seeming clash of identities. As Vilas was no more, I began filming others from his musical tradition. A few were Leftists like Vilas, others celebrated Dr. Ambedkar's life and message. I wanted to do justice to this whole spectrum.” 


A still from the documentary. Photo: Special Arrangement
A still from the documentary


The spectrum is broad indeed — from a proud song describing the Dalit who became a barrister, to those that recount the travails of migrant workers to the city; from lullabies based on the teachings of the Buddha, to naughty qawaalis that celebrated sexuality equally by men and women. Almost each song is juxtaposed with evocative visuals — claustrophobic slum-dwelling illustrated by a chicken coop; “My barrister husband is coming home” juxtaposed with visuals of men sweeping the streets. As Patwardhan points out, this is not an ethnographic film. “It is a record of the people and events I encountered. Many were not recognised as singers. Saraswati Bansode was a housewife. Shanta Bai Gadpaile's husband was a poet and she remembers his songs. The tradition is so strong that ordinary people just sang.” 

Many songs in the film narrate the game politicians have played with Dalits. In one instance, at an Ambedkar Jayanti function, small boys are dancing to the tune of “In the Mumbai... we are the Bhai..” from Bollywood's “Shootout At Lokhandwala”. Somehow the lyrics fit — Dalits have been used by the underworld, as well as political parties. 

Actual statistics higher
The mention of the Khairlanji incident was thus expected. “Official records show that two Dalits are raped and three killed daily. The actual statistics are higher. The film speaks of two other cases from Beed — a teacher murdered and a girl raped. So people cannot say that Khairlanji was a one-off incident which won't happen again. These incidents are part of our daily occurrence,” says Patwardhan. 

The fact that instead of addressing this, Dalit leaders are busy flirting with the Congress or with Hindutva, got the audience to acknowledge the movement's weak leadership today. Several of them, including Dr. Ambedkar's grandson Anandrao, felt that the documentary was a wake-up call. But what generated most outrage was the way in which Kabir Kala Manch (KKM) was forced by the police to go underground. 

Singers and poets
Patwardhan had met KKM in 2007 during a memorial meet at Ramabai Nagar. He followed these cultural activists and their families as they raised questions about the effects of a “development” that displaces the poor and Dalits alike. In June 2011, Sheetal Sathe and all the people from KKM had been pushed underground as they had been branded as Naxalites. “That's when I realised that I have to start showing this film. I want this country to understand who these singers and poets are so that people like Sheetal can come out in the open again and prove that they hadn't done anything wrong, anything more than speak up for the powerless,” says Patwardhan. 

The premiere on January 9 had its effect. Born out of the Dalit movement, the film was going back to the same people on the day when they remember Dalit Panther theatre activist Bhagwat Jadhav. A resident of BIT Chawl, Jadhav was killed during a rally in 1974, when Shiv Sena supporters dropped a grinding stone on his head. Since then, every year, his family conducts a memorial talk. There couldn't have been a better tribute this year than the premiere of “Jai Bhim Comrade”. 

A still from the documentary. Photo: Special Arrangement
A still from the documentary


“Basti screenings are a must. The intellectual class in India laps up and understands every political nuance of the developed world, but the reverse is not true. We like to be spoon-fed with over-simplified cliches, and that concession I have refused to make,” says Patwardhan, about his 200-minute-long documentary.
But tell him that this is his first documentary that has managed to get a Censor certificate without a major struggle, then he smiles, “Perhaps the democratic system is maturing? I think the upper castes know that they have been oppressing Dalits for thousands of years. If Dalits don't have a right to say ‘Gande Mataram', then who does?” 

Friday 6 January 2012

Greeting 'Tashi Delek' in Mumbai

On November 12 last year, 25 people congregated in a Bandra flat to prepare and eat momo. This delicacy was the magnet that drew about 20 Tibetans living in Mumbai to come together and chatter in the language of their homeland – greeting each other with 'tashi delek'. The news of 11 monks immolating themselves in the Kirti Monastery in the Ngaba region of eastern Tibet seemed like a news from a distant land. Only, this was news about their own people.

This momo party was the only time when Tenzin Choedhar (26) saw so many Tibetans in Mumbai come together, in the 5 years that she has been living and working in the city. “Tibetan students in Delhi have the time and space to raise the issue of Tibet. Moreover, they are mostly living together as a community in the refugee camp. But Mumbai is the launchpad for our careers. There is a feeling of helplessness about our identity. But we aren't able to do much and hence have no other option but to move on with our own lives,” says Choedhar, who grew up in Delhi, far from the Tibetan refugee camp. She works at a MNC that does business in China and Taiwan. “I never engage in any political discussions with my colleagues, because I am not too clear of what I have to say.”

The story is a little different for Tenzin Methok, who had been accompanying her father to Mumbai every winter, selling sweaters in Parel. Raised at a boarding in Ooty, Methok came to Mumbai for her graduate studies. “People assumed I was from Nepal or Manipur. When I would correct them, they would have many questions about I was not living in my own country. I did not have clear answers myself, until I met Kallianpur jii,” says the petite girl, who now works with a HR firm in Powai.

Fifty-eight-year old CA Kallianpur has kept alive Friends of Tibet (FoT) since 2003 from his home in Bandra – the site for the momo party. An avid reader of military history, he prepares packages of articles on understanding Tibet better. These are posted to people, whose addresses he might have come across through lay visiting cards. “Most Mumbaikars do not know where Tibet is. After explaining the Geography, I tell people that Tibet's case for independence is clear under international law,” says Kallianpur. His residence has become the arrival lounge for Tibetans who wish to shape their career in Mumbai.

Bhutanese Kelly Dorji came to Mumbai to further his studies, and became a ramp model and actor. In 2008, he was invited by his aunt to join her in praying for Tibetans at a rally in Mumbai, during the Beijing Olympics. Dorji's grandmother and several other relatives are from Tibet. "I felt honoured when I was asked to say a few words to the large gathering there, which comprised mostly exiled Tibetan monks. I stood in prayer on Indian soil as a guest, praying for the people of Tibet. But I think Mumbai had the same reaction as most of India – after a fleeting glimpse, the page was turned to the latest scores in cricket!"

But 'career' no more means becoming a waiter or hairdresser. “Today, you will find many Tibetans taking up significant roles in large companies. They are well-educated, and have developed the confidence of doing much more than making the traditional noodles,” says Tibetan writer and activist Tenzin Tsundue, who lived in Mumbai for five years. He was one of the founding members of FoT in Mumbai in 1998, which organised a seven-day cultural Festival of Tibet in March 2000, across several venues in the city. It was in Mumbai where Tsundue nurtured his talent as a writer and poet, under the guidance of several noted poets of the time.

The momo party was Tsundue's idea. He knew that the Tibetans in Mumbai ought to be woven into a community. That was also the week when the Bollywood film 'Rockstar' was to be released. The Tibetans were thankful to filmmaker Imtiaz Ali for talking about Tibet and freedom, through a song. However, the Indian Censor Board dashed their hopes when it asked the filmmaker to blur 'Tibet' during a scene that carried a banner of 'Free Tibet'. Tsundue met the Board but brought back no happy results. The previous week, on November 4, 25-year-old Sherab Tsedor had set himself on fire outside the Chinese Embassy in New Delhi, in solidarity with the 11 monks who had immolated themselves. Alert cops managed to rush him to a hospital. Today, Tsedor updates his progress in healing on Facebook.

“Facebook is one of the best mediums for us in Mumbai to stay connected,” said Dolkar Tenzin. She created the 'Tibetan Mumbaikars' community page on Facebook, and updates it with news and events pertaining to Tibet. A few non-Tibetans are also part of this small online group of 72. Methok, on the other hand, says that she has become synonymous with being the contact person for any Tibetan who wants to step foot in Mumbai. “Some days, I have to bunk work to be at the programmes organised for Tibet. It was easier when I was a student at St Xavier's College,” she says.

The girls are joined by Pasang Tashi (25) who is hoping to take up a more active role in organising events and demonstrations. Pasang was separated from his parents at the age of three, when he was brought to live and study in Dharamsala. He completed his graduate studies in Bangalore and came to Mumbai in 2010. “I do not miss my family as I did not develop any bond with them. China did not allow me to know my family. Now, I can only try to get more people to know about us and stand by us in our freedom movement. We cannot lose committed people to self-immolations, which is a desperate step. The Kirti monastery has become an extreme prison, with no food or water being supplied to the devout monks inside,” Pasang explains.

Ask him if he remembers anything of his early years in Tibet, and he says, “My only memory of Tibet are the mountains, the grass all around, and our house which was a tent. All of that feels like a dream, as though I never lived it.” Much like the nomadic lifestyle of the resident Tibetans, and the ones in exile, Pasang lives in the office of the production house where he works.

Remembering those who self-immolated themselves for a free Tibet, for a better tomorrow -- at McLeod Ganj, Dharamsala, November 2011.  © Nitesh Mohanty

Saturday 3 December 2011

'Why Is Narendra Modi Afraid Of Sanjiv Bhatt?'

("I asked for water; not caste")
A mosaic in the backyard of Gandhi's Sabarmati Ashram in Ahmedabad. Is this the same Gujarat?

+++

[Sanjiv and Shweta Bhatt are caring hosts to their guests. The large and yet simple Bhatt residence oozes warmth from all corners. This home, that has nurtured this brave family to do what is right before might, leads me to understand them a little better. Over a cup of appropriately-spiced masala chai, I relax in their leafy terrace. Shweta Bhatt narrates to me her feelings and thoughts about the Gujarat that was once safe, her brave husband, and the sea of humanity that keeps her family afloat in these rough times. On the other hand, the suspended IPS officer who is in no hurry to get back to his office, always has a fixed answer with a smile: “Life is good.” The answer and the smile: neither of them are false. Here are Shweta's words, as she urges me to “tell the world the truth about Narendra Modi...”]

I have always been a housewife; I am a housewife still, and am happy to be one. Sanjiv and I both love our families a lot, and our family has always stood by us. We had a love marriage. We were preparing for the UPSC exams, but I did not go for the interview because we were in a steady relationship by then – why waste a seat when I wouldn't be in the Services? When Sanjiv had filled his form, he wrote “IPS”, “IPS”, “IPS” for the three options of choice of the Service. He was always in love with the force; he was in love with the uniform. So when he saw what had transpired in 2002, he was shocked. But more than anything else, he felt sorry for the force. The way the policemen had barged into our house showed us how they stripped away dignity and discipline from the uniform.

There is something special about the police uniform, or any other uniform for that manner. A man who wears even the driver's uniform transforms his behaviour. The uniform commands some respect. Similarly, any police officer would stand up to greet the lady-wife, even if she is the wife of one's junior officer.
But none of that respect for the uniform or the senior officer or for the lady-wife was to be seen, when 35 policemen barged into our house, without any prior intimation or without any search warrant. We realised that this was dictated and threatened to them, on the lines of “Go and abuse your senior officer.”

Sanjiv would discuss everything with me, so I knew what needed to be spoken or asked at the right time. When he decided to speak aloud, we knew that there would be repercussions. But we never dreamt that the police force could stoop to such low levels. When they came to my house, they began to dig through every item. Few of them would apologise for what they were doing, stating that they were under compulsion to conduct such a behaviour. I said nothing to them, because I knew that this was Modi's ways of harassing us, to break our morale. I never resisted what they were doing either. I told filmmaker Mahesh Bhatt, “I thought it was only in Hindi films that cops barge into people's homes and throw up clothes and everything around in their search operations. But we saw this happening with our own eyes, in our own home, by the same police force that Sanjiv loves.” मुझे अब तो इस फोर्स पर घिन आती है (I look down at the Force with disdain now). 
The IPS Officers' Association was lying defunct for several years, but then I heard that they had a meeting after many years, when Sanjiv was arrested. Some of Sanjiv's peers would call me up on my landline phone and ask me in whispers, “Can we do anything for you Shweta?” I would reply to them, “At least begin to talk a bit louder so that I can hear you clearly!” This is the level of fear among the officers.
Only one who lives in Gujarat can correctly define the word 'subversion'. Men from the IB (Intelligence Bureau) had begun to jot the phone numbers and car numbers of every visitor discreetly. I finally asked one of those constables to stop behaving like a thief in copying the car number plate. Now, they just thoroughly question the visitor.
We learnt that Special Public Prosecutor SV Raju was being paid Rs 1.5 crore to 'manage' the court proceedings, and on Fridays, he was being paid some more so that the remand would drag onto the next week. But it was heartening to see the media come to the courts daily, to watch the proceedings. When he was finally granted bail, everyone cheered aloud 'Singham'! This sudden fame and hero worship has been overwhelming, yet assuring us about what Sanjiv had done.

I am sure many more policemen would have much to talk about to, but not all have the courage to do so. They are bound by other restrictions. But then again, we have been fortunate to have found the support and strength from so many different directions. So far it has been believed that anyone who speaks against Modi is the enemy. But something changed this year. On Dusshera day, at several places across Gujarat, Modi was portrayed as the Raavan and Sanjiv was portrayed as Singham!

The protection that the Home Ministry is offering us is so weak – just three men, and only one of them with a gun. We do fear for our lives. One of the constables comes with us wherever we go. But now Sanjiv has to travel to Jamnagar for his cases, or even Delhi. He is also being invited at various fora across the country, wanting him to speak to eager audiences. He cannot say refuse such invitations because now it is our time to stand with them. He is the hope for many people today. They stood by us in what was our dark hour when Sanjiv was arrested. But all this travel means he is being watched all the time. The phones are tapped; his official phone number has been cancelled. These are Modi's ways of harassing anyone standing against him.

Sanjiv kept on insisting the SIT that he should be summoned to give his statements. But they ignored him because they knew that मोदी का पोल खुल जाएगा (Modi's secrets would be out). Why is Modi afraid of Sanjiv? Because Sanjiv has everything to say which Modi wants to hide.

What Modi did in 2002 was nothing short of a systematic and well-funded killing of Gujarat, which was once a truly prosperous and harmonious state. We never had a communal flare-up before Modi reign. BJP has changed that picture of Gujarat. There are flyovers being made in Kanpur; there are flyovers being made in Allahabad; there are flyovers being made in Ahmedabad. So why are just flyovers being deemed as development? There is no development in Gujarat; on the contrary, we are moving backwards.
Many have asked skeptically, why is Sanjiv speaking out now? Has he done it for Congress? My answer is this: there is something beyond politics, and that is one's one soul and conscience. Sanjiv is doing what he is doing for himself, and in doing so, to prevent any such communal flare-up ever again.
For all those 18 days when Sanjiv was in jail, my 75-year-old father, despite his ailing knees, would arrive here at 9 am each day, to be with me. People whom I had never known would just come home – they were people from different human rights groups, students from colleges, and others who had no group or organisation as their affiliation. I was buying up to 45 packets of milk everyday, for a constant supply of tea or nimboo paani to the visitors. That strength they offered was unbelievable. They knew that Sanjiv was doing the right thing.
Many many many people stood with candles every evening when Sanjiv was in jail. They would come and say, “We are with you.” We were at the mall the other day, and at least 12 people walked to our table and said to Sanjiv, “You are a brave man. We are proud of what you have done. We are with you.” Saniv and I wonder what it is that they mean by “We are with you.” We wonder if the people uttering those words would also know what they mean by that sentence. But we are happy to hear those words and are assured to know that people can see between right and wrong.
++++

Be it on the streets....


Or on the bus....


On a residential building's wall...


Or on the concrete fence of a beautiful garden....

Just remember: Modi Bhai Is Watching You. It isn't anymore surprising that 'Modi' rhymes with 'moti', which, in Gujarati means 'big'. Literally, Big Brother is Watching You, in Gujarat!


When Modi Bhai isn't watching you directly, he urges you to look up at the photograph of Hrithik Roshan, which in reality is the compulsion for you to check out the gymnasium that has been sponsored by the Hindu Saamrajya Sena (Hindu Imperial Army).

Note: all of the photographs above have been taken within a stretch of 300 metres. On another day in South Gujarat, when I had to change 8 buses, I greeted Modi on each bus as he waved to me from the bus's side panels.


Monday 21 November 2011

Resistance to dam project grows in south Gujarat

People from 16 villages on the Gujarat-Maharashtra border have been demonstrating their resistance to the Par-Tapi-Narmada river interlinking project, another multi-dam project which is slated to submerge 3,572 hectares of forests and displace 25,000 people

It was noon and the sun could no longer hide behind the clouds. One by one, women trickled in to sit on the black tarpaulin laid under a cluster of bamboo trees. Behind them sat the men, in the shade. K P Sasi’s Gaon Chodab Nahi blared from loudspeakers nearby.

Finally, it was time for the meeting to begin. Anusuya Ben, who had travelled 20 km in a tempo, took the mike and began to sing a song she had composed specially for the event: “Paikhed gaamcha dam aamhi baandhoon denaar naahi” (“We won’t let the Paikhed dam be built”). The assembled crowd of around 200 joined her in song.

For the next two hours, Naragdhari village reverberated to the sound of loud, angry, determined speeches. Hot, thirsty and hungry, people from 16 villages on the Gujarat-Maharashtra border sat in the sun to show their collective disapproval of the Par-Tapi-Narmada river interlinking project. A month earlier, they had coloured their thumbs blue and stamped two memorandums to be sent to the Ministry of Tribal Affairs and the Ministry of Water Resources requesting that the mammoth river interlinking project aimed at supplying water to already-irrigated central Gujarat be shelved.

A few quick figures would best explain the significance of this meeting and other such congregations in the past: seven rivers, seven dams, seven reservoirs, a 401 km-long link canal, submergence of 3,572 hectares of forest land, displacement of 25,000 people, and cattle.

The project is part of the peninsular river development component, proposed in the 1970s. It comprises the building of seven reservoirs on the Par, Nar, Tapi, Purna, Ambica, Auranga and Khapri rivers, and a 401 km-long link canal connecting the reservoirs, to irrigate 1.88 lakh hectares in Bharuch and Vadodara districts which are already slated to be irrigated by the Sardar Sarovar dam waters. The feasibility reports prepared by the National Water Development Agency (NWDA) mention that the project will also generate 93 Mkwh of electricity; the end consumers are only vaguely mentioned. The human price to be paid has been calculated using census data from as far back as 1991: the displacement figure has been put at 14,832 people. Today, the number of people likely to be displaced easily stands at 25,000.

***

One day in 2010, men with large maps and measurement paraphernalia arrived in some of the villages and began taking measurements of the river and the soil. The men told the villagers they were from the irrigation department. “Ramesh called me up to tell me about the measurements being taken. I looked up the Internet and was shocked to find out about the river interlinking project. It was then that we realised that the NWDA had been discreetly conducting its surveys without informing the people about the project or its consequences,” says Michael Mazgaonkar, an activist based in Narmada district. Since that phone call, he and several others have been travelling to villages in Dharampur taluka, Valsad district. Everywhere they go they speak to people and sense their anger at not being consulted on the project.

Collective realisation of their possible submergence, and the subsequent anger, resulted in the formation of the Par-Purna Adivasi Sangathan comprising people from Gundiya, Khadki, Tutarkhed, Chikhalpada, Mohanakavchali, Satvakal and other villages and hamlets across Dharampur taluka.

The NWDA’s feasibility report says surveys could not be completed at sites where the Paikhed, Jheri, Kelwan and Mohankavchali dams are to be built “due to local resistance”. Surveys at other dam sites -- Chasmandva, Chikkar and Dabdar dams -- have been carried out by the Survey of India, entrusted either by the Government of India or the NWDA. “Water from the seven proposed reservoirs will take over part of the command area of the ongoing Sardar Sarovar Project, while irrigating small areas en route. This will save Sardar Sarovar Project (SSP) water which will be used to extend irrigation in the Saurashtra and Kutch region,” the report says.

But there are several loopholes in the report: apart from incomplete sub-surface geological and other surveys, there is no mention of the areas to be irrigated, or details of provision of drinking water to Vadodara municipal regions, or data on existing and future industries and their water requirements.

***

The Miyagam and Vadodara branches of the SSP currently supply water to Bharuch and Vadodara districts. These are regions that also support a large number of industrial estates and Special Economic Zones (SEZ). At the ‘Vibrant Gujarat: Global Investors Summit’, held three times during this decade, 69 and 38 MoUs were signed within Bharuch and Vadodara respectively, with a total investment of Rs 1,01,810 crore and Rs 14,414 crore respectively. These districts get their water from the SSP. Clearly, the surplus water to be brought from south Gujarat -- if the river interlinking project does manage to see the light of the day -- will be directed at materialising these bulky investments.

Based on the 2004-2005 price index, the project was cited to cost Rs 6,016 crore. The NWDA report puts the cost-benefit ratio at just 1:1.08 -- the usual ratio for approval is 1:1.5. The cost to people and the environment have not been factored in.

The catchment area is pristine forestland that falls in a seismic III zone. The NWDA mentions that the reservoirs will together submerge 7,559 hectares of land. This includes 3,572 hectares of forestland, and around 24 villages. The NDWA claims 51 villages will be partially submerged, although people in the area say their common understanding of the hilly terrain places the number much higher. Like any large dam project, this project too will be responsible for large-scale displacement of people and livestock.

***

Over the past two years there have been several calls for solidarity, culminating in meetings and a massive rally earlier this year. The Par-Purna Adivasi Sangathan has passed at least five resolutions at the panchayat level.

In September, 1,500 residents of Gundiya, Khadki, Tutarkhed, Chikhalpada, Mohanakavchali, Satvakal and other villages in Dharampur taluka, Valsad district, assembled on the banks of the river Nar. By 11.45 am, the grey riverbed, as seen from the winding road leading down to the river, was dotted with colour. A stage built the previous day out of large rocks was the focus. One by one, the sarpanch of each village represented in the Sangathan spoke about why unity was important in protecting rivers, fields, livelihoods, homes, humans, cattle -- indeed all of their futures. “We are happy to come here together, but don’t take our photograph now. Take my photograph when I’m angry, when I’m crying,” said one woman who had walked for almost three hours to get to the meeting site. I asked her if she had come alone. “My whole village is here, my husband, children and grandchildren too. We all woke up early today to clean and cook so that we could be here on time.”

In another corner, a woman was breastfeeding her child. After a while both were still -- the child had fallen asleep, the young mother listened with rapt attention as the details of two memorandums were read out. They were addressed to V Kishore Chandra Deo (Minister of Tribal Affairs) and Pawan Kumar Bansal (Minister of Water Resources), offering scientific explanations as to why the proposed project would only spell doom for the region. The two-page letters detailed the illegal way in which the NWDA had been conducting surveys in several villages without any consultations with the gram sabha.

Besides issues like flood damage and increased river salinity that could be caused by the proposed project, questions are also being raised about the efficacy of the project at a time when the impact of the SSP is yet to be assessed, and the need for additional water clearly established.

Although around 6,500 people eventually signed the memorandums, Sujata Shah, who has been at the forefront of the struggle, believes the fragmented nature of resistance among various sections of the people will weaken the effort. “We need to set up committees in every village, and committees led by women too. While large meetings like this are essential, you have to take the lead in preventing this project from displacing you,” Shah explained at the meeting.

For now, people are contributing small sums of money to fuel the resistance. Anusuya Ben says: “I do not know what to do. My anger and fear about this project come across through my songs. I’m glad that these songs are becoming famous and people are singing them at every meeting. But finally, the sarkar should hear our pleas.”

(This article has first appeared on Infochange News & Features. View it here)

Wednesday 14 September 2011

The Story of an Ideal Village

(A tightly-abridged version of this story first appeared in Open magazine, September 15-21, 2011. You can read the abridged version here. Below is what was originally written.)

            The entrance to Devli is marked with this board. A significant amount of funds have been raised 
              through fines, which are being used for the development of the village, by its inhabitants.

After a 2-hour rickety bus ride from the cotton town of Sendhwa in Madhya Pradesh, the signboard 'Nasha Mukt Sankalp Sthal' is an intriguing white spot before the serene landscape of the Satpuda mountains. A closer examine mentions a mass vow taken towards complete abstinence from alcohol and other intoxicants, and petty quarrels too. A thin grey ribbon leads to several mud houses interspersed with fields of corn and jowar, and the story of this village began to slowly peal open.

In 2009, 25 Sarpanches of villages from Sendhwa and Niwali blocks headed to Hiware Bazaar, a village close to Anna Hazare's Ralegan Siddi. There they witnessed the Gram Sabha functioning in a Utopian way. Upon returning, Mukesh Duduway from Devli began to discuss his village with the members of Adivasi Mukti Sangathan, a grassroots group which has been working in Badhwani district since the early 90s.

“Our village is home to some brilliant minds – one auditor in the Panchayat, one thana inspector in the police, one engineer and 19 teachers. And yet, we are reeling under bad health, malnutrition, low agricultural productivity, low standards of education and corruption,” Mukesh remembers.

Meanwhile, another worried soul was another resident Kahar Singh Senani, who had a wide perspective on development owing to his job as a senior engineer with the state government. In February 2009, he invited the village folk – mostly by the Bhilala and Barela tribes – to his residence for an informal chat. Surprisingly, the 500 men and women who turned up openly spoke about petty fights being bred through the government's non-delivery of schemes, and alcohol as a nuisance.

A detailed survey for the 380 households revealed that only 15 families were living off their own agricultural produce, while others survived as daily wage labourers. Despite this poverty, people had been extravagant during weddings, and alcohol and beedi for guests. “Some men had 14 pairs of trousers! What is the need? We concluded that any man owning more than 14 pairs of trousers would be considered rich. Only this way can we ever think of bridging the rich-poor gap,” explains Mukesh, over a cup of black tea in his house decorated with idiosyncratic tribal images in white.

A 14-point manifesto was drafted during a Gram Sabha on April 14, 2009. That's when a collective oath was taken to ban the entry of alcohol in Devli, and slap a fine of Rs 1,500 on any resident who would be found to have entered the village after having consumed alcohol outside. Suddenly, an existing alcohol shop with no permits became an eyesore for the reforming village. “Senani is a rich man. He paid the shop owner Rs 52,000 to shut the shop. Now, we have a general store there which is run by women,” says Mukesh, 42, proudly. Once, a letter was sent to the cops to get 14 men of two other villages punished, as they had been luring the youth of Devli to get back to alcohol.

As part of the manifesto, several committees were created. The senior men and women have been entrusted the work of advising on marriages and compatibility; another committee of women inspect cleanliness within the village. Another committee is helping build a corpus stock of grains with an aim towards entirely doing away with the government's public distribution system (PDS). One committee is investigating the details of families which migrate to neighbouring Maharashtra and Gujarat. The village also has a vision of a colony of concrete homes for all by 2015.

During each Gram Sabha, a new President is chosen, with caution that the Sarpanch and Sachiv never being elected as the President. Money boxes pass around one chosen hamlet, on every full moon night. People contribute Rs 20 to Rs 50. Another money box is circulated among the government employees, who pay a higher annual sum. The people in Devli have also collectively decided against burning wood during Holi.

“We suddenly realised that the women from our village had never stepped out. In November 2010, three men accompanied the women during a day-long trip to Indore. Apart from the tourist attractions, we went to Big Bazaar mall where we used the elevator. We went to the airport, and got each woman a platform ticket to explain the railways to them. The women were surprised to see other women driving cars all by themselves. The journey made our women to think a lot about their own lives,” smiles Mukesh.

A photograph taken during the day-long visit to Indore is cherished.

Mukesh sees himself as the people's mobiliser, and has no ambition of becoming a Sarpanch. He leaves that job to Lakha Duduway, who has recently taken on the reins of the Sarpanch from the younger of this two wives, Jinabai. “I offer my tractors and bulldozers for free for development work within the village. This is my 'shramdaan',” Lakha says. Village naysayers are happy that Lakha is leaving behind his crude ways, albeit in the hunger to be known as the Sarpanch of the 'ideal' village.

“Look at our village today. You will realise that there is no poverty in the world; only laziness,” Lakha says, before he zooms off in his bike. 

Friday 2 September 2011

Who Will Wash The Tribal Blood Stains On Tata's Image?

These are the observations and revelations penned by an activist and filmmaker, Surya Shankar Dash, who has been relentlessly documenting the atrocities on the people of Kalinganagar in Orissa.

A little more than a year ago Nira Radia was heard telling Vir Sanghvi about her fight with the 'Maoists' for the Tatas in Kalinga Nagar. Around the same time Madhyantara Vol 4 (a video magazine by the Samadrusti TV collective) was released and featured extensive footage of hundreds of policemen pillaging villages in Kalinga Nagar. A few defenseless villagers threw stones at a sea of marauding para-military forces but at the end their foodstocks were on fire, their utensils were systematically broken and their water sources were contaminated with kerosene.


This is part of a long drawn battle between the Adivasi inhabitants of Kalinga Nagar and Tata Steel, with the entire administrative and police machinery at Tata's disposal. Had it not been for the Radia tapes then one would have found it almost impossible to prove that indeed the Tatas had campaigned with the media to portray the anti-displacement activists of Kalinga Nagar as 'Maoists'. After the 2nd Jan 2006 massacre of 14 people, Tata Steel engaged in a media war against the tribals of Kalinga Nagar. The strategy was very clear, to paint the movement as a Maoist movement and facilitate excessive police action.

Despite everything Tata Steel was unable to wash off blood stains from its image. Despite attempts to completely censor news from Kalinga Nagar during last year's raids on the villages, illegal evictions and atrocities by a mixed force of goons and para-military, a lot of revealing information came out in the form of videos shot by the villagers that were put up on Youtube immediately. And around the same time even the Radia tapes started surfacing.

A year later, Tata has got much smarter. They are no longer banking on the Nira Radias to do the job. Rather they have hired some of the most credible documentary filmmakers to do the best whitewash job in recent advertising history - a series of TV Commercials highlighting some CSR ventures by Tata Steel - namely Bachendri Pal's mountaineering antics; the story of another woman who has supposedly been empowered by wearing pant-shirt and being employed as an earth-moving vehicle driver, etc. Perfectly timed to bolster the company's announcements, of completing the Kalinga Nagar plant by next year.

In short, the TVCs announce that the Tatas have won Kalinga Nagar. Not only the battle on the ground but the information war as well. 

To get top-notch documentary filmmakers, known especially for their rights based approach, to do their whitewash job is a clean triumph in the media turf. They have won after getting about 20 Adivasis killed by bullets. Including the 12-year-old Janga on the night of December 31, 2010. Hundreds displaced. Villages divided. Scores arrested. Tortured. Many more denied of medical services. Pregnant women unable to go to hospitals fearing they and their accompanying relatives will be arrested. Half a dozen villagers died when Kalinga Nagar remained out of bounds for the rest of the world except for Tata goons and an all pervasive para military force.

What compelled the filmmakers to do the job is hard to put a finger on. Most of them were aware of Tata Steel's doings in Kalinga Nagar. I have reason to believe even some of them had seen the videos on Youtube. In the past, a national Award winning filmmaker had done a similar job for Posco and then more recently another emerging 'development' filmmaker's company was found to be doing videos for Vedanta.

It is sad to see the kinds of Nira Radia being replaced by brighter and more sensitive people which will only lead to more compelling propaganda from the house of Tata Steel. The people of Kalinga Nagar will have to re-invent their communication skills now as a more evolved breed of communicators and media practitioners have arrived to silence their voices.

Below is one of the Tata Steel TVCs. This link gives further details about this campaign.